
2024-05-16 12:18:08,最后更新于11月前

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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有关剧情电影《荣耀六十年》的常见解答:
一问:
《荣耀六十年》讲述的是什么故事?
樱花动漫电影网影迷朋友说: Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star
二问:
《荣耀六十年》这部剧情电影中的台词,大家如何评价?
风车动漫电影网影迷朋友说:最近《荣耀六十年》在各大平台热播,而且影视制作公司非常地给力,更新速度非常快,喜欢这部荣耀六十年的影迷朋友们可以畅快的免费观看了。剧情电影中演员们饰演的角色比较贴近原著,而且台词也格外的讲究!其中有一些经典的台词可能会成为热搜话题,喜欢荣耀六十年的老爷看客们要拿起笔杆子认真做好笔记了,这些内容可能成为必考题目[狗头.jpg]。
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神马电影影迷朋友说:大家可以去豆瓣网搜索一下该片的影评,点击“《荣耀六十年》豆瓣详情”来查看《荣耀六十年》的具体情况,顺便也瞅瞅该片是否有获得过奖项,如果有的话樱花动漫还是推荐大家好好看看这部《荣耀六十年》的;大家也可以点击这里《荣耀六十年百度百科》是否有该片的其他相关介绍。
四问:
《荣耀六十年》是哪一年首播的?
青苹果影院影迷朋友说:最早各大平台推出的时间是1938年。
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六问:
《荣耀六十年》剧情电影领衔主演都有谁?编剧是谁?
6080/8090电影网的影迷朋友:荣耀六十年的主要演员有:Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla ;该片的编剧是:不知道是谁
七问:
Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla的表演怎么样?演技在线吗?
新视觉电影网影迷朋友说:大家可以去“豆瓣电影网”查看资深影评人对《荣耀六十年》演员的评价。
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